Mumbai, India — April 29, 2026
The Indian box office witnessed a mixed performance on Tuesday, with multiple Bollywood, South Indian, and Hollywood releases competing for audience attention. While some films maintained momentum, others continued to struggle with declining collections.
🎥 ‘Bhoot Bangla’ Maintains Steady Run
Bhoot Bangla, starring Akshay Kumar, continues to show resilience at the box office.
- Day 12 Collection (Tuesday): ₹4.35 crore
- Day 11 Collection: ₹3.65 crore
- Total Collection: ₹121.40 crore
The film has crossed the ₹120 crore mark and is steadily moving toward the ₹150 crore milestone, with weekend collections expected to play a crucial role.
📉 ‘Ginny Weds Sunny 2’ Sees Sharp Decline
Ginny Weds Sunny 2 is witnessing a steep drop in collections.
- Day 5 Collection: ₹10 lakh
- Day 4 Collection: ₹13 lakh
- Total Collection: ₹1.43 crore
The film’s earnings have quickly dropped to the lakh range, indicating weak audience traction.
🏆 ‘Dhurandhar 2’ Continues Blockbuster Run
Dhurandhar 2 remains a standout performer even after several weeks in theaters.
- Day 41 Collection: ₹1.55 crore
- Total Collection: ₹1,132.99 crore
The film continues to dominate the box office, maintaining strong numbers well into its extended run.
📉 ‘Dacoit’ Struggles to Sustain Momentum
Dacoit is facing a slowdown at the box office.
- Day 19 Collection: ₹24 lakh
- Total Collection: ₹35.68 crore
The film’s earnings have dropped significantly, reflecting limited audience engagement in recent days.
🌍 Hollywood Presence Adds Competition
Meanwhile, Hollywood release Michael is also drawing audience attention, adding to the competitive landscape at the box office.
🔍 Box Office Trend
- Strong Performers: Bhoot Bangla, Dhurandhar 2
- Underperformers: Ginny Weds Sunny 2, Dacoit
- Outlook: Weekend collections will be key in determining the next phase of box office momentum
📊 Industry Insight
Trade analysts note that while big-budget films continue to perform, smaller releases are struggling to maintain footfall amid intense competition and audience selectivity.
