Mumbai – In a landscape where remakes often strive to capture the magic of their predecessors, Do Patti—a film co-produced by Kriti Sanon , Directed by Shashank Chaturvedi and penned by Kanika Dhillon—misses the mark significantly. Released today on Netflix ( October 25, 2025 ) this film attempts to revive the charm of the iconic Hema Malini starrer Sita Aur Geeta but fails to deliver a compelling narrative or strong performances, ultimately garnering a disappointing rating of 2/5.
Plot Overview
The story revolves around twin sisters, Shaili and Saumya, portrayed by Kriti Sanon. One of the sisters is a cunning and street-smart individual, while the other is portrayed as a sensitive and emotional character, often reduced to tears. The narrative kicks off with the re-entry of the sisters into each other’s lives, coinciding with the arrival of a new boyfriend, which leads to the expected drama of mistaken identities and sibling rivalry.
Despite its potential, the storyline quickly deteriorates into clichés and predictable tropes. The film tries to pack a mix of comedy and drama but ultimately results in a muddled script that fails to engage the audience. Unlike the original films it draws inspiration from, Do Patti lacks a fresh perspective or engaging character arcs.
Kriti Sanon: A Dual Role Dilemma
Kriti Sanon takes on the challenge of portraying two distinct characters, yet both lack depth and development. Despite her previous acclaim for roles in films like Mimi, her performance in Do Patti feels forced and unconvincing.
The characterization suffers greatly from weak dialogues, with lines like “Go to the room, now go to the kitchen, now go back to the hostel,” coming off as shallow and uninspired. Critics have noted that her attempts to embody the contrasting personalities of Shaili and Saumya come across as superficial, lacking the emotional gravitas required to make the audience invest in their journeys.
In an era where strong female characters are increasingly celebrated in cinema, Do Patti’s portrayal feels regressive, as it falls into the trap of relying on outdated stereotypes.
Kajol’s Character: A Missed Opportunity
The film opens with an animated logo from Katha Pictures, the production house led by Kanika Dhillon, but sadly, that brief moment of intrigue is the highlight of the film. Kajol, known for her impactful performances, plays a police officer named Vidya Jyoti. However, her character feels underdeveloped and forced, delivering odd and awkward dialogues that fail to resonate with the audience.
The attempt to make her character a blend of seriousness and humor falls flat. In scenes where she’s meant to project authority, the lack of substance in her character leads to a diminished presence on screen. The film tries to inject suspense, yet fails to build any real tension, leaving Kajol’s character without the impactful arc that could have made her role memorable.
Weak Direction and Script
Directed by Shashank Chaturvedi, Do Patti marks his first foray into feature filmmaking. Unfortunately, the film reveals the pressures he faced from both the leading actors and the script’s demands. The execution appears haphazard, with the pacing suffering throughout the three acts.
The initial act may hold some viewers’ attention, but by the time the second act rolls around, many will likely feel bored and disengaged. This drop in momentum can be attributed to a script that fails to provide consistent humor or engaging plot twists. The third act, where most of the narrative is supposed to converge, lacks the coherence necessary for a satisfying resolution, resulting in a jarring and unsatisfying conclusion.
Comparison to Classics
While films like Sita Aur Geeta and ChaalBaaz showcased the charm and versatility of their leading ladies, Do Patti seems to squander the opportunity to replicate that magic. Instead of creating a contemporary interpretation, the film merely recycles tired formulas without adding any innovation.
The nostalgia for these classic films creates a barrier that Do Patti cannot overcome. Kriti Sanon’s desire to establish herself as a serious actress is evident, yet she finds herself lost amidst a poorly crafted story. The film’s failure to stand on its own further emphasizes the strength and creativity of its predecessors.
Conclusion: A Disappointing Affair
In conclusion, Do Patti serves as a reminder that not all remakes can capture the essence of the originals. With a weak script, lackluster performances, and a failure to engage audiences, the film struggles to leave a lasting impression.
For those seeking a thrilling or emotionally engaging cinematic experience, Do Patti may fall short. It highlights the challenges that arise when attempting to modernize beloved classics, leaving viewers yearning for the charm and storytelling prowess that defined films like Sita Aur Geeta and ChaalBaaz.
With strong performances and a cohesive script, these timeless classics continue to resonate, while Do Patti remains a missed opportunity in the realm of Hindi cinema.
